Archive for the ‘Oysterville House Concerts’ Category

Knowing Martha

Saturday, May 11th, 2013

I went by myself to Martha Talbott’s funeral yesterday.  Nyel had an obligation elsewhere but, as is always true in our small community, Martha Hutchinson Talbottbeing unescorted did not mean I was alone.  In fact, I was surprised at how many mutual friends and acquaintances Martha and I had.

George and Martha moved to ‘Greater Oysterville’ twenty-three years ago.  That’s one of the things I learned yesterday.  I tried to remember when I first became acquainted with them.  Ironically, it may have been in 1998 when I, being secretary/treasurer of the Oysterville Cemetery Association, sold them several cemetery lots.

But, I imagine I had known who they were and had been nodding and smiling and saying ‘hello’ long before that – especially at the post office.  Sooner or later, all of us who get our mail at the tiny Oysterville Post Office get to know one another at least on a talk-about-the-weather basis.  Too, I’m sure we saw them at Vespers now and then, especially when our former postmaster Casey Killingsworth and his family were the featured musicians.  Or, perhaps, when the service was conducted by our friend-and-almost-relative, Father Tom, or by the priest from St. Mary’s.

Martha TalbottMostly, though, we knew Martha as a faithful attendee at our house concerts – she and George, always smiling, always together, always enjoying whatever was going on.  I can’t think how it happened that we first invited them.  Maybe George remembers.  Over the years, they became ‘regulars,’ often sitting on the blue velvet couch in the living room and always bringing a wonderful addition for our potluck supper.

There was something about Martha’s twinkling eyes and gentle smile that always made me think she would be happiest with a small child nestled in her lap, so it didn’t surprise me to learn that she and George have seven children, twenty-six grandchildren, and fourteen great-grandchildren!  Luckily for us, we’ve become acquainted over the years with daughter Jenny and son-in-law Scott and, more recently, with son Charlie.   We hope that these friendships deepen and expand as time passes, for that’s yet another blessing of living in a small community.

These were some of the thoughts that flashed through my mind yesterday.  Plus my delight at the photograph of Martha on the front of the memorial folder.  I had no idea that she had been a nurse!  Which made me wonder about all the other things I didn’t know about Marta.

I thought about that wonderful old Joan Baez song on her Diamonds and Rust album –“Hello in There.”  I wish I had known Martha better.  I’m grateful, though, that our paths crossed and that I knew her as well as I did.

An Evening with James Hurley

Monday, April 15th, 2013

James HurleyWe’ve been hosting house concerts for twelve or thirteen years now – usually one a month from September through May.  It goes without saying that every one of them is different.  The variables are multitudinous, from the musician(s) and their performances to the particular mix of audience members and right down to the potluck dishes and the conversation afterwards.

Last night’s concert featuring James Hurley, “Performing Songwriter at Large,” was one of the most different and one of the best!  Let’s start with the food which, at our concerts, happens last.  Almost before the final strains of music are heard, hot dishes are coming out of the oven, salads out of the refrigerator, foil and shrink wrap coverings are being discarded and folks are lining up (musician(s) first!) to load up their plates.  Last night, for the first time ever, there were no desserts!!

I need to say here that we don’t make food “assignments” using the theory that with twenty or thirty people coming and bringing something, it will all work out.  And it always has.  In fact, we joke, “What is the worst that could happen?  All desserts?”  I don’t think it has ever occurred to us that there would be NO desserts?  I didn’t hear any complaints – just the observation that people are eating healthier these days.

From Our Library ShelfAnd before the concert ever began, a guest of some friends settled herself on the couch in the library with a small volume she had spied on a nearby shelf.  “I hope you don’t mind,” she said in her soft German accent, “but I’ve been looking for a copy of this book for years.”  She pointed out to me that it was published in 1908 (about the time my grandmother put the library together) and it was written in “old fashioned” German.  What a nice bit of serendipity! ( Carefully handwritten in front was “Cecil Espy,” my grandfather’s youngest brother, who was a college student during that time period.)

The concert was grand.  James is one of those singers who “connects”  easily with people and, in fact, last night one of the guests engaged him in a brief conversation that he said involved the “best question” he’d ever had from an audience member.  Unbeknownst to us until after the last guest had gone was that that particular conversation may well lead to a residency opportunity for James down the road!

At the intermission and during the dinner hour afterwards, more networking and connecting was going on.  People lingered (and not over their dessert, either!) and exchanged contact information or renewed acquaintances.  Coffee dates were made.  We were asked when the next House Concert was coming.  (Answer:  Double J and the Boys on May 19th.)

James and Nyel and I topped off the evening by laughing our heads off at some of our favorite YouTube offerings – “The Brain as Explained by John Cleese,” “A Tale of Two Brains” by Mark Gungor and “Donna the Deer Crossing Lady” radio call-in shtick.  Oh, and not to forget “How to Piss Off Your Dog.”

All in all…  it was a great evening with James Hurley!

It’s Sunday! It’s Show Time!

Sunday, March 24th, 2013

Shoalwater Storytellers Poster 1981JPGToday promises to be equal parts work and play with all of it totally enjoyable.  This morning we have a rehearsal for Shoalwater Storytellers scheduled, and this afternoon we head south for a performance of the Columbia River Trio.  I suppose we’ll eat around the edges, but who cares?  It’s one of those food-for-the-soul days.

In the first place, our morning Shoalwater Storytellers responsibilities are totally advisory and directorial.  We are assisting in the transition from the two of us old ducks to the two new Storytellers, Dave Immel and Kitt Fleming.  The four of us meet most Sundays to review scripts, demonstrate the blocking, and talk motivation as Nyel and I gradually divest ourselves from participation.

You’d think that we’d have mixed emotions about extricating ourselves from the Storytellers group.  And, we do!  Joy and relief and anticipation are the main ones.  After more than thirty years of ‘telling’ the colorful stories of Pacific County’s past, we are delighted that the performances will continue.  We look forward to seeing new interpretations by fresh actors and to happily attending performances in a new role as attentive audience members.  Will we miss the stress and physicality of performing?  Not for a minute!

Columbia River TrioAnd, speaking of enjoying performances from in front of the curtain, we are full of anticipation regarding the Columbia River Trio’s 3:00 presentation at the Inn at Harbour Village in Ilwaco this afternoon.  The three – pianist Ron Thompson, violinist Jeffrey Reynolds, and cellist Andrew Emlen – did a House Concert here last Spring.

At that time, they were a trio plus Brooke Flood who was doing some vocals with them.  Their selections were a potpourri from classical to show tunes, and they had not yet settled on a name.  It was my impression that they were newly associated, but according to the article in the latest Coast Weekend, they formed in 2011.  Whenever it was, their presentation here last year was fabulous.  The audience loved them and we all hoped that they would continue their association.

According to their publicity, today’s selections will range from J.S. Bach to Astor Piazzola, including piano trio works by Haydn, Mendelssohn, Sibelius and Swedish composer Elfrida Andree. Admission at the door is $12.  We can’t wait.

Transported in Oysterville

Monday, March 11th, 2013

March 10, 2013 ProgramYesterday’s House Concert by the Rose City Mixed Quartet was one of those marvelous experiences during which everything else simply dropped away.  I didn’t take a single photograph – didn’t even think about it.  I didn’t pass around the guest book.  I didn’t hear the clock chime.  I was totally immersed in their songs, their sounds, their interactions…  I was transported.

I think everyone else was, too.  In retrospect, I am doubly glad of that because, though I didn’t once think of it during the concert, I had been a little anxious about the state of things here in the house.  The silver was looking a bit tarnished; there was a slight patina of dust on the horizontal surfaces; there were probably cobwebs in the upper corners.  But all of that disappeared from my mind, once the RCMQ took ‘center stage’ in our library.

The Rose City Mixed QuartetTheir program ranged from the sublime (“Ave Maria”) to the spiritual (“Deep River”) to the whimsical (“Li’l Red Riding Hood”).  And, they actually had printed programs!  Even though there was a disclaimer at the bottom of the page – songs may be added or dropped from the program at the whim of the group – they stuck to it pretty well.  The only numbers they skipped were those that the soprano couldn’t manage due to one of those dreaded nose/throat ailments – bad enough for any of us, but an anathema to a singer.

After the performance there seemed to be a mellow glow left behind.  Audience members were engrossed in interesting conversations as they enjoyed the potluck supper.  There were a number of those “small world” things going on – people learning of shared acquaintances or situations or places they lived.  The catalyst for all those interconnections were the members of the quartet, themselves.  Cameron Herbert (soprano), Dale Webber (tenor), Helen Deitz (alto) and Mark Peterson (bass) have a way of transcending  the role of “performers” and becoming friends.  Or for us, family.

And speaking of such, I was still visiting and enjoying myself when I realized that the dishes were done, the furniture was back in place, the chairs borrowed from the church returned.  I had not lifted a finger!  A magical evening for sure here in Oysterville!

A Visitation from Mrs. Crouch?

Monday, January 28th, 2013

 A Mess of ArtifactsMembers of the Willapa Hills band were setting up in our library yesterday afternoon and the thirty-plus house concert guests were expected momentarily when…CRASH!  The horrific sound reverberated throughout the house and, even though there were at least three of us who witnessed the cause of said cacophony, it took a few seconds to make sense of it.

My first thought was that Sunrise, who is only partially sighted, had tripped on the hearth (always a worry of mine, but truth-to-tell, he is more sure-footed than any of the rest of us.) Houseguest Linda, who was upstairs, thought that some of the band’s instruments had fallen.  Nyel, in the kitchen, “couldn’t imagine…”

Two-legged Table In reality, it was our ‘what-not coffee table’ that had collapsed and its contents had lurched and rolled and spilled themselves hither and thither across the carpet.  Miraculously, the glass top of the table was still intact.  The legs of one end had simply given way causing the rest of the table to fall apart.  All of the artifacts, so carefully arranged and displayed, had escaped.

Though several of in the room were nearby, no one was touching the table and, thankfully no one was hurt.  Only stunned.  Among the objects that had scattered about were many old, hand-made marbles and a score or more of pottery shards – all bits and pieces that we have unearthed from our garden beds over the years.  Band leader Andrew Emlen said it took a minute to realize that nothing had smashed and that those pottery bits had never (at least in our lifetime) been whole.

In the manner of ‘many hands make light work’ we carried everything into my already overstuffed office and ‘deep-sixed’ them, even as the first cars were pulling up to the house.  Nyel and I quickly unearthed an old coffee table from the back forty – yet another reason to save everything, even the discards – set it up in place of the broken one and the band finished their set up.  In no time at all, with guests none the wiser, our house was filled with the sound of the most fabulous folk music ever.

The Willapa HillsIt was the final performance by the Willapa Hills, at least in the configuration that we have grown to love.  Jessica and Sunrise Fletcher have now officially retired and it remains to be seen whether Andrew, Jennifer Hanigan, and Kerrie McNalley will continue the group and, if so, by themselves or with others.

So, why did the table crash without provocation at that particular time?  I can only think that our resident ghost, Mrs. Crouch, was registering her presence for some reason.  I’m glad she ‘was here’ for the concert and even more pleased that she announced her attendance before rather than during the festivities.  But I do wish that she would prove useful in putting all this mess back together…  Fat chance!

Raising the Bar!

Monday, October 29th, 2012

A few weeks ago, when I sent out the invitations to yesterday’s house concert, I billed the musician, Larry Murante, as “one of the nicest guys we know.”  If I were to resend message today, I might delete the “one of” part, or at least put that entire phrase in boldface.  And underline it.

Larry has been doing house concerts here for a good many years –probably eight or nine.  He was recommended by another musician friend, Carolyn Cruso – or rather she recommended us to him.  He telephoned us, we coordinated schedules, and I told him (as I tell all our out-of-town musicians) that we could put him up if he didn’t want to make the trek back to Seattle following the gig.

It was that first “morning after’ at the breakfast table that he learned about our ghost, Mrs. Crouch, and we learned that his day job is cleaning houses.   He left rather hurriedly murmuring that if he booked another date with us, he’d probably stay elsewhere.  I vowed that, no matter what, I’d do more than a cursory dusting if there was a next time.

As it turned out, he brought his wife along for his next show here and then wrote a wonderful ballad about Mrs. Crouch which is on his latest album, “Point of Entry.”  He put his own special twist on the story and I’ve always thought that it was the way he made his peace with her.  For my part… I know that even my renewed cleaning efforts wouldn’t be up to the white glove test, but Larry has never complained.

He was here for two nights this time, and not only helped us set up for the concert – he runs a mean vacuum cleaner and is an expert when it comes to moving furniture and schlepping chairs back and forth to the church – but also gave us a major hand with the clean-up afterwards.  In fact, he mopped both the kitchen and dining room floors and used our rug-cleaning spray on a few potluck spills before another run at the carpet!  Way beyond the call!  And at my protests, he just laughed and said, “This is nothing.  I’m a professional, you know!”

I don’t know if any of our musician friends will be reading this blog but, just in case, I want them to know that Larry has raised the bar pretty high around here!  Be forewarned!

James and the Giant Bull

Monday, April 30th, 2012

James Hurley in Oysterville

     Singer/songwriter James Hurley spent the night here after his House Concert yesterday.  We hadn’t met James before but he came highly recommended by other musician friends like Larry Murante and Jill Trenholm and Carolyn Cruso, so we already thought of him as someone we knew.  And as we often do for musicians who are on the road, we offered him a room for the night.
     The concert was fabulous but I have to say that my favorite part of yesterday was sitting around talking to James afterwards.  We lit the fire – not that it was chilly (though it was) but more for the ambience of the snap and crackle – and we sat and visited for a few hours.  As I often tell people who are interested in hosting House Concerts, it’s the getting-to-know-the-musicians that’s the best part.  And getting to know James was no exception.
     As part of his patter during the concert, James mentioned that he’d dropped out of school ‘back in the day’ to ride the rodeo circuit.  It was an argument with a bull that put him out of commission for a couple of years and led him to follow a totally different path – music!  So, during the course of our fireside chit-chat, I asked him about that.
     He described how he got into bull riding in the first place.  He was sixteen and, basically, he did it for the money.  He was living in Salinas, California, home of one of the biggest, most prestigious rodeos in the circuit.  From his first “very short” ride on a bull, James found he loved it. With the proverbial “get back on the horse” attitude, he got back on bull after bull until he began to get it right.  Until he and the bull became dance partners.      “It’s only an eight-second ride,” he chuckled, “but that eight seconds lasts an hour.”
     He compared it to an automobile accident and, having been in a couple of bad ones, myself, I knew exactly what he meant.  Time slows down and every nano-second becomes etched in your mind.  But, as he talked, his eyes glowed, his hands and arms described the scene, his body leaned and twisted.  He used words in ways I’d never heard, yet his descriptions were so clear I was practically on that bull with him.  I was reminded of Geno Leach, our local Fisher Poet, when he’s in performance.
     James, or “Jimmy Hurley” as he was called then, found he was good at bull riding.  In fact, very good.  In fact, he was a first-place winner in ride-after-eight-second-ride.  Until that one time that the bull ended up on top and Jimmy was put out of commission for three years.  He was nineteen years old.
     “I’d always fooled around with my dad’s guitar,” he said, “but when it wasn’t until I was flat on back with nothing much else to do that I got serious about it.”  He loved it and made the decision to give up the rodeo and follow a different dream.  But when he finally healed, he went back to the rodeo arena for awhile – just to make sure that he was basing his decision on the right reasons.
     Well, I never saw him ride, but after hearing his music, I’d say he made the right decision.  I didn’t think to ask him, though, if he’s put any of his rodeo experiences into his compositions.  I hope so.  If he has, I’m going to request those as a theme in his next House Concert here.  Rodeo poetry set to music would be a first in Oysterville, and with James Hurley in the saddle, it would be another winner! 

Wearing His Other Hat

Friday, April 13th, 2012
Fine Tuning

     Pianist Ron Thompson was in Oysterville yesterday dressed in casual clothes rather than a tux as he was at our House Concert last month.  On this trip, he spent his morning and mid-day with not one but two pianos, and he was wearing a different hat.  Well, the hat part was figurative, not literal.
     Ron-the-concert-pianist was here doing his day job as Ron-the-piano-tuner.  He worked on our piano and on the one at the church which is now all ready for the summer vesper season.  He said that he’ll be tuning pianos in the area for the next few days.
     That news certainly didn’t come as a surprise.  When the word spread at the House Concert that this magnificent performer made his living by tuning pianos, the line formed up immediately.  Pianos in need seemed to be coming out of the woodwork.   And there have been telephone calls and emails among us piano owners ever since.
     Piano tuners are hard to come by here on the peninsula.  In order to get ready for vespers each year, we’ve had to “import” someone from Chehalis or Olympia.  And, even when we’ve thought that we could skip a year with our own piano, we scheduled it in to make it worth the tuner’s while.  It’s not that Ron lives all that close by.  He has to come from Vancouver.  But his folks live in Astoria, so that helps.  And three or four days’ work in one area must be a plus, as well.
     As far as we’re concerned, there’s nothing like the confidence that comes when you are having your piano tuned by a fine pianist – especially, as in our case, if he might be playing that very instrument  before it’s tuning time again!  (In the works:  a gig with Ron and Brooke Flood doing some Sinatra and some show tunes.  Maybe next January.)  Stay tuned…

From Carnegie Hall to Oysterville

Monday, March 26th, 2012

     It was another magical evening here in Oysterville – another House Concert to be remembered!  The musicians, in full concert regalia, played to a packed house – an audience who gave their rapt attention to a program that included the selections from Bach, Haydn, and Debussy.
     Three of the four musicians were familiar to peninsula audiences.  Vocalist Brooke Flood  grew up here and we have watched her amazing development as a singer, a dancer, and an actor. Her passion is musical theater and, among other selections, she graced us with “On My Own” from “Les Miserables.”
      Violinist Jeffrey Reynolds and cellist Andrew Emlen have played here many times over the past ten years, singly, with other groups,  and together as the Emlen & Reynolds Duo and performing the Music of Lewis and Clark. They both have had extensive musical experience.
      Jeffrey, based in Astoria, has played in many groups, including the Symphony Orchestras of Redding, Rogue Valley and Columbia, the Yaquina and Umpqua Chamber Orchestras, Peter Britt Festival Orchestra, the Heather Christie Band, Humours of Circumstance, the violin duo Violince with Marty Jennings.
     Andrew lives near Skamokawa. He began playing at age 9, and by high school had won multiple regional solo competitions and earned a number of honors, including first chair in the Oregon All-State Orchestra. A Campbell Music Scholar at Whitman College, where he was winner of the Whitman Concerto Competition, he has since performed as a member of many classical chamber groups.  He also plays in the folk band Willapa Hills (who played here at last month’s House Concert.)
     It was pianist Ronald Thompson, pivotal member of last evening’s recently formed quartet, who was ‘new’ to Oysterville.  Though only twenty-four years old, Ron’s musical credentials include two performances at Carnegie Hall and a performance at the International Music Festival in Prague, Czech Republic as well as well as performances with many orchestras and classical groups .  Originally from Texas, he has lately lived in Astoria and is now in Battleground.    Ron has been working as accompanist to Brooke who is currently a sophomore at George Fox University in nearby Newburg, Oregon.
     Andrew shared with us how the the members of the group converged.  “Last fall at the Water Music Festival, “young musicians” were featured before each performance.  Brooke was one of those young people and I was struck by her voice.  ‘She can really sing!’ I thought.  Then I noticed her accompanist, Ron.  ‘He can really play, I thought…”  Upon learning that Ron makes his living as a piano tuner, Andrew had him come tune his piano
     “It was a total ruse – although I did get my piano tuned!” Andrew laughed.  “I dragged out my cello and it all fell into place!”
     The rest seems to be making history, as they say.  We certainly look forward to a return visit here in Oysterville.  As for me, I look forward to another up-close-and-personal opportunity to enjoy watching the musicians appreciate and enjoy one another’s performances – a rare privilege afforded to House Concert goers!

On being groupies…

Monday, February 27th, 2012

The Willapa Hills in Cathlamet

     The drive from Oysterville to Cathlamet takes about an hour and a half.  We gave ourselves plenty of time yesterday, but we hadn’t counted on the snow.  Oysterville was sunny and 50° when we left here at 12:45. Who’da thunk it would be 34° and snowing over the KM Mountain?  (Which, by the way, brings up another question.  When did it become a mountain, anyway?  When I was a kid, it was the KM Hill…)
     We were on our way to see The Willapa Hills in concert at the Old Pioneer Church in downtown Cathlamet.  They began at 2:30.  We walked in at 2:28 and took the best seats in the house, right down in front!
     The show was fabulous!  Never mind that we had seen the exact same program right here at our house just one week ago.  We loved it all as we knew we would.  I felt suitably conspicuous when Kerrie credited my blog with inspiring her song about Oysterville’s Post Office woes, and I was greatly pleased when the woman behind me shouted out afterwards that it should become a national hit.  Couldn’t agree more!
     Also, it was fun to see the group up on stage where they had room to spread out – about twice the space side-to-side that they have here.  And when Sunrise really got into it his foot-stomping on that wooden stage floor, a whole new rhythm dimension was added – lost, of course, when he’s on our carpet.
     We visited with them a bit at intermission and again afterwards.  Jessica asked if we were going to complete the outing by treating ourselves to dinner on the way home.  We didn’t, although we considered stopping at Duffy’s Irish Pub and having their highly touted red beans and rice.  (Hardly Irish, but then neither is owner Al Salazar, or so I’ve heard.)
     It was straight home to Oysterville where we discovered that the Oscars were on.  So we settled for cheese and crackers in front of the TV and continued our groupie role in a little bit different guise.  That was fun, too, but not even hearing all those acceptance speeches in provocative French accents could compare with seeing the Willapa Hills live on stage in Cathlamet!  Through rain or shine, snow or sleet…